All posts filed under: The Heiress (1947)

THE HEIRESS 2012

The new production of THE HEIRESS opened in NYC yesterday, at the Walter Kerr theatre on West 48th, starring Jessica Chastain, David Strathairn and Dan Stevens. This is the second or maybe third revival since the Baz created the role of Austin Sloper on Broadway almost exactly 65 years ago, in September 1947. Here’s Ben Brantley’s NYT review , which also links to Brooks Atkinson’s review of the original with Rathbone. Brantley doesn’t altogether like the production or Strathairn’s interpretation of Dr Sloper, describing him as “surprisingly low-key and deferential.” Rathbone, by contrast, won a Tony for his performance and was described by Atkinson as playing “perfectly with irony and arrogance.” And yet,interestingly, Brantley doesn’t compare Strathairn with the Baz, even though they both played the part on Broadway. No, indeed, with wonderful irony, Brantley ignores Rathbone completely and instead compares Strathairn with none other than Ralph Richardson who played in the 1949 film, opposite Olivia de Havilland, after Rathbone was inexplicably passed over for the part. Rather a neat little illustration of how fate …

Watchman, What of the Night?

I’ve been  preparing for this blog for a while, asking friends and collectors for tidbits and morsels, doing a lot of web exploring, which can occasionally bring up nicely unexpected things. And just today I found one. A little book written by Jed Harris, Broadway producer/director, called Watchman, What of the Night?. I’ve linked to a pdf file, but  at Archive.org  the text is available in various formats, including a Kindle version. The book is notable for fans of the Baz because it’s all about the struggle (and such it really seems to have been) to get The Heiress onto Broadway for its first outing in 1947. The whole book is interesting but there’s one passage that’s just pure gold for Rathbone-admirers or would-be biographers, so I’m going to quote it in full. But first a little background on Harris, taken from the book’s flyleaf: “A producer-director whose name is synonymous with perfection in the legitimate theatre tells the story of an Opening Night. When Henry James’sWashington Square was first made into a play, it died a …